
Like the famous Olympia or the Reclining Nude, Roth’s subject is the main focal point in a wide canvas with an array of colorful hues, but there is a not-so-subtle darkness about Roth’s painting. The not very idealized female subject sits and looks away from the viewer in a three quarter, position. The model’s accentuated shady facial features make the painting a bit more discerning than your regular depicted nude, in addition to her intense severity in expression. Roth’s painting style references the heavily emphasized outlines of Paul Cezanne and hints at post-impressionist and expressionist era ideas, which had originated in France.
By Alana Voldman
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