Showing posts with label Victoria Szilagyi. Show all posts
Showing posts with label Victoria Szilagyi. Show all posts

Saturday, March 10, 2012

March Exhibitions at ARC


ARC member Victoria Szilagyi presents a collection of work entitled "War and Piece". The series is a combination of two different forms, one being embroidered works with ink and thread on canvas showing women in entangled positions. Her idea of how paramount the power of women is shown through the situations depicted.
She also works with encaustic, heated wax with color pigments, to create fictional scenes of tragedy, mystery and brutality. The scenes depicted leave the viewer imagining a great story, full of adventure and turns.

This exhibition is in conjunction with Mainspring by Jessica Gondek. Her abstract works are inkjet prints that reveal the process of wood cuts. Her use of line and motion give the appearance of futuristic technology. They are intriguing due to the technical processes she uses, it's easy to get lost in the process of her art making. The intermingling of new and old approaches play against each other and promote a collision between the intuitive hand derived images vs. mechanically mediated ones. On the picture plane a war is being waged between the neutrality of the computer and the fallibility of the human hand.

Differing from the other two artists, Yeohyun Ahn brings a different aesthetic to the gallery with her collection in TYPE+CODE II. She uses repetition of a single letter or symbol as a design element to create a completed form. She uses multimedia to show her creative process. She has an animation that presents the steps of her work. Her representations of typography show her fascination with language and linguistics.


These exhibitions will be the last for the gallery space on Superior Street as we prepare for our move into Bucktown. The show will be held to March 24, 2012.


Sunday, October 16, 2011

Girls! Girls! Girls!


Painter, Victoria Szilagyi combined an ancient technique with some very contemporary iconography in her latest series, Machinations. The tanned, pigtailed and silicon-endowed women (or girls, it’s hard to say which) that grace each piece from the collection were culled directly from pornography stills. Szilagyi used an encaustic process to great effect, creating swirling patterns and layers of texture that pulsate with energy and animate the figures. The result is a cartoonish image of a real subject that underscores the artificiality of both. As portraits, removed from any pornographic narrative, these faces read as pained, fearful or utterly demented. However, the recognizability of their source material is like a neon sign flashing in your peripheral vision -- revealing a disturbing incongruity.

Sneak a peak at ARC until October 29th

By Rachel Brown