experimental visual art to a wide range of viewers, and to provide an atmosphere for the continued development of artistic
potential, experimentation and dialogue. ARC serves to educate the public on various community-based issues by presenting exhibits, workshops, discussion groups and programs for and by underserved populations.
November 2010 Exhibition dates: October 27—November 20, 2010
Opening reception: Friday October 29 from 6-9 pm
Gallery hours: Wed to Sat 12-6 pm, and Sun. 12-4 pm
Iris Goldstein— “Transformations”
Iris Goldstein creates her painted plaster-relief sculptures to investigate
allusion and memory. In her latest body of work, the imagery is intended to
suggest known and unknown objects and landscapes—fragments of
memories, perhaps. Common building materials, plaster, aluminum
screening and wood, are transformed from the literal to the imagined and
abstracted. The artist's experiments with her materials help her to find
new ways of seeing, which she hopes will awaken other allusions and
memories in the viewer.
Iris Goldstein creates her painted plaster-relief sculptures to investigate
allusion and memory. In her latest body of work, the imagery is intended to
suggest known and unknown objects and landscapes—fragments of
memories, perhaps. Common building materials, plaster, aluminum
screening and wood, are transformed from the literal to the imagined and
abstracted. The artist's experiments with her materials help her to find
new ways of seeing, which she hopes will awaken other allusions and
memories in the viewer.
James Mullen— “Cultivations”
During the last six years James Mullen has been involved in photographing
greenhouses. This has included a wide range of facilities, during various
times of year, in a range of different locations around the country. As this
body of work has continued to grow, he has become interested in exploring
these images in a range of media. The fact that he has spent the last two
decades as a painter, specifically focusing on the landscape, has especially
influenced his vision for this body of work.
Carol Ng-He— “Voyage Festival”
Cutting is to disrupt, wound, subtract, open, and begin, in any duration. This
exhibit displays Carol Ng-He's mapping of the restless motions of her memories
and inner voices by juxtaposing reproductions of her own drawings and paintings.
The process of cutting and reclamation of images embodies the infinite
possibilities upon the known definitions among all of us.
Cutting is to disrupt, wound, subtract, open, and begin, in any duration. This
exhibit displays Carol Ng-He's mapping of the restless motions of her memories
and inner voices by juxtaposing reproductions of her own drawings and paintings.
The process of cutting and reclamation of images embodies the infinite
possibilities upon the known definitions among all of us.
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